The Gen Z queen of country music broke a record set by Taylor Swift
Ella Langley is refreshingly, almost aggressively normal. That might be what it takes for a female country artist to go mainstream.
Read the whole thing and its 1,000+ comments on Yahoo.
Taylor Swift has finally been dethroned as the queen of modern country music (yes, she still held that title, after 14 years of making pop albums). The singer-songwriter who finally managed to knock her off that perch? An up-and-coming artist named Ella Langley.
Langley’s song “Choosin’ Texas” held the No. 1 spot on the Billboard Hot 100 for four weeks — the longest run from a song by a female artist that also hit No. 1 on the country charts. Swift set the record in 2012 with “We Are Never Getting Back Together” — one of her last non-pop hits.
With long brunette waves that could land her a starring role in The Secret Lives of Mormon Wives and a bohemian-princess look, Langley resembles a “country boy’s dream girl” — something she acknowledges in a song with that title. “Choosin’ Texas,” meanwhile, is about the all-too-familiar feeling of seeing your ex move on with someone else. She pairs relatable songwriting prowess with the country twang that Swift has shed over the years.
“Country music is storytelling, and then you do it with a little bit of twang,” Langley says in an ad for American Eagle. “It’s cool to be from such a small place and get to do such massive things.”
Langley hasn’t done many interviews, she keeps her personal life largely under wraps, and she’s buttoned-up on social media, which is a rarity among her generation of stars. Despite that understatedness, she has managed to ascend. And she’s no one-hit wonder, either — her single “Be Her” is also climbing up the Hot 100.
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Women in country have been gaining popularity steadily for years, and Langley’s pleasantly inoffensive persona and relatable songs come at exactly the right time to make her not just the next top country act like Shania Twain or Carrie Underwood but also a record-breaking, mainstream success. We haven’t had a star like that in over a decade.
Who is this person, and why is she having a moment?
Langley is a 26-year-old from Alabama. She’s been making music since she was a teenager but had her breakout moment in 2024 when her duet with Riley Green, “You Look Like You Love Me,” blew up on TikTok.
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Her social media profiles mostly feature promotional snippets for her new album and clips from brand collabs. She’s eschewed getting more intimate and playful with her fans, in contrast to her more online counterparts Megan Moroney and Kacey Musgraves. Nevertheless, her 2.9 million TikTok followers are rabid for her, referring to themselves in the comments of her posts as “Ella’s Fellas” and “Langley Ladies.”
I can’t get over the fact that, aside from her objectively flawless bangs, Langley doesn’t have much of a signature style or a distinct gimmick that catapulted her out of obscurity like Sabrina Carpenter’s tongue-in-cheek glamour or Chappell Roan’s drag-queen-inspired maximalism. Cynthia Todd, director of talent booking at the music video platform Vevo, calls Langley’s style “effortlessly cool” and reflective of the fact that “she had a clear sense of who she is from the beginning.”
Langley said at a 2025 concert that she wanted to take a break after her 2024 album, Hungover, and her forthcoming 2026 release, Dandelion, because she “had to live some life,” signaling how important honesty is in her songwriting. “What the hell do y’all want me to write songs about? Nothing? You know, I had to love somebody in between these last two records to make a record,” she continued. Her brand is low-key but also authentic, reflective of what even non-country fans appreciate about the genre. It’s about storytelling and vibes.
Langley’s ability to both maintain a connection to the traditional country music machine and also generate buzz online is what sets her apart. Spotify streams, Shazams and TikTok activity for “Choosin’ Texas” all peaked at the same time she broke Swift’s record, according to data shared with Yahoo by the Beats + Bytes & Chartmetric Stat of the Week Newsletter. At the same time, she was getting plenty of country radio play — a necessity for a song to blow up on the Hot 100. There are more stations in the U.S. specializing in country music than any other format, and radio has more influence over a country song’s success than other genres.
That’s partially why it’s so hard for a new country star to be born — and what makes Langley’s rise even more impressive. If you haven’t ever heard of her before, you might just not be listening.
Why is this moment important for country music?
It has historically been hard for female country stars to outshine their male counterparts, both within country music and on the national stage.
For a while it seemed like women were shut out of the upper echelons of country music on purpose, which blocked their path to wider success. In 2015, radio consultant Keith Hill made headlines for saying that “if you want to make ratings in country radio, take females out.” He compared women in country to the “tomatoes” of a salad — as in, they’re not the lettuce — leading to a controversy called “tomatogate.”
Marcus K. Dowling, a longtime country music journalist and editor-at-large at Veeps, tells Yahoo that there’s been a dramatic sea change in recent years. It began in 2020, when Miranda Lambert’s song “Bluebird” blew up, with Lambert vocally pushing back against the airplay machine that favored men. Her success paved the way for stars like Musgraves, Moroney, Lainey Wilson, Kelsea Ballerini and eventually Ella Langley. Musgraves won Album of the Year for Golden Hour at the Grammys the year before, and Beyoncé’s Cowboy Carter won in 2025. Women in country are undoubtedly having a moment culturally. Now that moment is becoming more obviously commercial and hitting mainstream listeners with Langley’s meteoric rise.
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“Ella Langley slides perfectly into the moment, and it’s not just her. … If you walk into any Target in America right now, there’s a pink aisle full of Megan Moroney’s merchandise,” Dowling says. “If you go to a Buckle in any shopping mall, you’ll see Lainey Wilson’s Wrangler pieces. If you see live country music on tour, Carter Faith is opening for Jelly Roll and Post Malone.” He adds that Musgraves has a new album out soon, and Lana Del Rey has been threatening to release her country album for months.
Some artists like Mickey Guyton and Sara Evans still say not much has changed — they’re still struggling to get the radio airplay necessary in country music to top the charts. Others say it’s not great, but it’s getting better. Either way, it’s no longer a conversation that gets swept under the rug.
“What has changed is we’re saying that out loud now in ways that had been a bit more hush-hush or a bit more easily brushed off 10 years ago,” Kate Duncan, director of the School of Music and Theatre Professions at Loyola University, New Orleans, told my colleague Taryn Ryder in 2025. “I think there are some really good — we’ll say crowbars — cracking some light into the the [underrepresented] industry spaces, but we are in the red so significantly with representation that we just need an influx of help to make it more equitable and to make it a safe space for underrepresented people of all those categories.”
But why did it take so long for a female country artist to top the Hot 100 for multiple weeks in a row? “Math,” Dowling says with a laugh. For a new star to emerge, chart mainstays like Swift, Bad Bunny and others had to cool it with new releases. There are just a lot of genres to compete with and a lot of stars with superfans to usurp.
There’s also the effect of Morgan Wallen, the genre’s biggest star and resident bad boy, who has hogged a lot of the real estate by going No. 1 for several weeks of the summer every year for the past three. In 2023, when country music consumption in the U.S. grew by 23.8%, Wallen’s One Thing at a Time was the top album of the year across any genre.
But the masses aren’t as afraid of a woman with a bit of a twang and impressive songwriting prowess as the chart drought may have suggested, Dowling says. Sabrina Carpenter, who’s from Pennsylvania, donned a bit of an accent and hit No. 1 with songs like “Please Please Please” and “Manchild.” Though those songs aren’t technically labeled country, they have all the elements of the genre. Despite no one being able to topple Swift as a mainstream country artist in years, our ears have been primed.
Langley claims the genre wholeheartedly, with her flawless-yet-digestible aesthetics, her country-girl-next-door persona and witty songwriting abilities. She seems like the perfect artist to crown the next true queen of country music, as the industry slowly but surely gives women the attention they’re due.
Does that mean a new era for women in country has begun, or just a new era for Langley? We’ll see when the weather heats up and songs about heartbreak, pickup trucks and beer become even more in demand.
Read the whole thing and its 1,000+ comments on Yahoo.
country radio really has more influence than you think on the charts…